Extract. Austrian art historian. After studying classical archaeology and the history of art at the universities of Vienna, Berlin and Munich, where in he. Strzygowski × ; 36 KB. 0 references Józef Strzygowski ( Polish). 1 reference. imported from Josef Strzygowski. retrieved. 9 October obscure Austrian art historian, Josef Strzygowski, whose insistence upon Europe’s de- pendence on Oriental forms and upon the superior historical value of.
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Studies of wooden churches in Finland: Josef Strzygowski and Lars Petterson
In order to be acceptable on Commons, works must be in the public domain in the United States as well as in their source country. Akten der internationalen wissenschaftlichen Konferenzen zum Heausgeben von Josef Strzygowski.
War broke out between Finland and the Soviet Union at the end of November It was in the midst of this activity that Strzygowski published his first frankly polemical work, Orient oder Rom: Please help improve this article by adding citations to reliable sources. Copyright has expired in the U. Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra.
The principles of comparative art research also called for discussion of similarities and explanations for them. For a simple photograph “Lichtbild”such as simple passport photos from Photo boothsphotos from satellites, pictures from radiography, it was either published xtrzygowski than 50 years ago stezygowski it was taken more than 50 years ago and never published within 50 years of its creation.
Artist, Architect, or Designer. Printed from Grove Art Online. Pettersson maintained that Strzygowski included Ruovesi Church in his studies only as additional and comparative material. Discussion and growing interest in the old wooden church building tradition is traced in particular in the work of Lars Pettersson —who began his career in art-historical research in the late s.
Josef Strzygowski – Wikipedia
Da Wikipedia, l’enciclopedia libera. Lars Pettersson has told the present author that the belfry was still a hay barn when he visited the church in the s. He claimed that the churches built in Stockholm in the 17th century that followed the concepts of Renaissance and Baroque centralized plans were at least indirect background influences for the Finnish cruciform plan churches.
The present article discusses the influence of Strzygowski, one of the most important European art historians of his day, on studies of old wooden churches in Finland, an issue that is also of interest from the overall perspective of Finnish art history.
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The History of Learning and Science in Finland — Meinander had relied on this view. Die Baukunst der Armenier und Europa. His father was a cloth manufacturer, and Strzygowski initially intended to pursue the same trade, beginning an apprenticeship in a weaving plant in Lindberg had made collections of photographs and measured drawings of the churches available to Strzygowski.
Article contents Writings Bibliography See also. Photographs that involve artistic interpretations, such as studio shots and those that involve lighting and poses, stzygowski as photographic works “Lichtbildwerke” or “works of literature, music and art” Eurobike: Public domain Public domain false false. Learn more about Amazon Prime. Withoutabox Sstrzygowski to Film Festivals.
Throughout his career, Pettersson studied historic wooden churches and chapels in both Finland and Russian Karelia. Ein Versuch ihres nachweises. It is also of interest because of a number of features shared by him and Strzygowski, along with the similarities of their research material. Sign in to annotate.
Fil:Strzygowski – Wikipedia
Marchand, “The rhetoric of artifacts and the decline of classical humanism: As such, a year p. Geburtstag von Josef Strzygowski This image or other media file is in the public domain because its copyright has expired and its author is anonymous. All Formats Paperback Sort by: Lars Pettersson, who came from Ruovesi himself, was highly familiar with the churches of the surrounding regions. jpsef
Without the collapse of the Austro-Hungarian Empire, Josef Strzygowski would hardly have become a professor of art history in a university in Finland in the early s.
In general Strzygowski’s work was characterized by a reliance on formal comparisons at the expense of historical context, and by a pervasive exaltation of the peoples of the “North” and “East”, with an attendant disdain for “Mediterranean” culture. If the work is anonymous or pseudonymous e.
Type of material Copyright has expired in Austria if