: Cassado, Gaspar – Suite For Cello – Universal Edition: Books. Heather Hanson, Shar Apprentice For Solo Cello. Published by Universal Edition . Gaspar Cassado, Johann Sebastian Bach – 6 Suites for Solo Cello Cassadó: Suite for Solo Cello / Schubert: Sonatine in D major / Chopin: Cello Sonata in G. This suite for solo cello from is suitable for advanced players and professionals. Cassadó Gaspar: Sonata in the Old Spanish Style · Web Cover. €

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An unusual feature of this movement is how it slows to a glacial pace in recapitulating the first theme at its conclusion. Added, go to My Music to see full list. Read more at Wikipedia. Requiebros for cello and piano. Capping off the first movement celloo a coda in which Beethoven lets his instrumentalists mull over what they have just played for the last time before the movement ends, grimly and grudgingly, with a stiffly Baroque tierce de Picardie in G major.

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Gaspar Cassadó Thesis – Cassadó’s Versatility

Prom 39 Queen’s Hall. The sardana is a gaspa dance accompanied by a cobla wind band comprising a high-whistling flaviol wooden fipple flutedouble-reed shawms and various brass instruments.

If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia. It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. During his long studies with Casals in Paris, vassado absorbed the many aesthetic crosswinds blowing through the French capital, fello to admire the spiky modernism of Stravinsky, the impressionism of Ravel, and the Spanish nationalist sentiments of Manuel Da Falla.


The second movement is a sardana, the folk dance most closely associated with the Catalonian nationalist revival of the 19th century. Suite for solo cello – 2nd Movement. A lamentation like you’ve never heard before. Suite for solo cello – 2nd Movement Composer.

Bach: 6 Suites for Solo Cello

The conservative musical language of this sonata, with its profusion of regular phrase lengths and adherence to a four-movement classical layout sonata-movement, scherzo, largo and rondo shocked even some of his contemporaries.

The first and second themes of the sonata-form first movement are both lyrical in inspiration. Dance of the Green Devil.

Cervera suggests that the two presentations of the opening theme, one fortethe other pianorepresent in turn Don Quixote and his beloved, Dulcinea. Playlists Featured All Recommended. Solo suite for cello, 3rd movt Composer. The dance-like quality of the second movement scherzo is rough, swaggering and full of ostinato rhythmic energy.

This finale simply overflows with rhythmic vitality, due to a near-constant chatter of rapid passagework on the part of both piano and gwspar.

Find events near you. What more attractive model to take for a sonata to be performed with Duport in front of the King sutie

When he was nine, he played in a recital where Pablo Casals was celli the audience; Casals immediately offered to teach him. Last Played on BBC.

Cassado, Gaspar – Suite For Cello – Universal Edition

The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris. Solo suite for cello, 3rd movt. Performances Popular All Recommended. Sign in to the BBC, or Register.


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CASSADÓ Suite for Solo Cello KODÁLY Sonata for Solo Cello |

Hear a contemporary piece using Cello and voice. He was also the author of several notable musical hoaxes, notably the “Toccata” that he attributed to Frescobaldi.

Radio 3 in Concert. With a repetitive structure playfully phrased in alternating fragments of forte and piano, it drums its way tor your head to become the most memorable melody of the movement.

The sardana is a dance in three parts, the middle section being more oslo and in a minor key. The last movement is the one in which the spirit of the dance is most evident, with the snap of castanets imitated in sharp, abrupt rhythms, the strumming of the guitar in flamboyant arpeggio patterns, and the harmonies of Spanish folk music in the distinctive pattern of the four-note descending bass line.

Born in Barcelona inhe was discovered at the age of nine by a young Catalan cellist just starting out on his career, the year-old Pablo Casals, and Gaspar was accepted to study with him in Paris on a scholarship from his native city.

The exposition of the immediately following sonata-form movement virtually overflows with melodic ideas: