Life. Born: 4 February Died: 7 August Biography. View the Wikipedia article on Eustache du Caurroy. General Information. Title: Missa pro Defunctis Composer: Eustache du Caurroy Lyricist: Number of voices: 5vv Voicing: SATTB Genre: Sacred. French composer, of good family. Singer, and later maître de chapelle, to the French kings from , he won prizes at the Évreux composition contests in

Author: Digul Shaktim
Country: Nepal
Language: English (Spanish)
Genre: Education
Published (Last): 22 March 2012
Pages: 228
PDF File Size: 20.84 Mb
ePub File Size: 13.40 Mb
ISBN: 396-9-56500-120-8
Downloads: 76103
Price: Free* [*Free Regsitration Required]
Uploader: Goltizshura

These posthumous fantasias — the most serious instrumental genre of the time, as opposed to Romantic ideas on the subject — are written for from three to six parts, with an astonishing depth of expression and an amazing imagination and variety of ud. Du Caurroy served as composer to the royal chamber for three Kings of France, but in his own time eustahce considered the equal of Orlando di Lassus in compositional prowess.

French classical composers French male classical eustachs Renaissance composers French composers of sacred music births deaths. Du Caurroy accumulated wealth and honours in the first decade of the 17th century, including benefices and a large estate in Picardy.

From Wikipedia, the free encyclopedia. The collection of cauroy such pieces, published posthumously inis considered to be a strong influence on the next generation of French keyboard players, especially Jean Titelouzethe founder of the French organ school.


HOASM: (François) Eustache Du Caurroy

Du Caurroy was primarily interested in counterpointand was widely read in the theoretical work of the time, including that of Gioseffe Zarlinowho provided the best available summation caurroh the contrapuntal practice in the 16th century. His contrapuntal interest is best shown in his sacred music, of which the largest caurgoy is the two volumes of motets, 53 in all, entitled Preces ecclesiasticaepublished in Paris in Views Read Edit View history.

Eustache du Caurroy baptised February 4, — August 7, was a French composer of the late Renaissance. He probably entered royal service aroundand in is first mentioned in documents from the royal court, when he won a song competition: By using this site, you agree to the Terms of Use and Privacy Policy. Classical music portal Kingdom of France portal.

It is a long composition containing the Libera me responsory, the chant for which is similar to the famous Dies irae.

Retrieved from ” https: Denis for the funerals of French kings for the next several centuries. Finally, Du Caurroy’s fantasias are an exceptional set of instrumental pieces, the earliest such attributed works in French music.

Eustache Du Caurroy – Wikipedia

Recommended Recordings Recommended Work Recommendation to come…. His published collections are carefully prepared anthologies of the best of his oeuvre. His Missa pro defunctisfirst performed at the funeral of Henry IV of Francewas the requiem mass which was played at St. In the collection “Les Meslanges,” Du Caurroy takes up some of the stylistic principles of Le Jeune, including the “musique mesuree” and other complicated compositional devices.


Eustache du Caurroy

Home News Contacts Copyright. Du Caurroy’s Missa pro defunctis is an extremely famous piece, and was performed at all the funerals for French Kings for nearly two hundred years, earning it the apocryphal title “Mass for the funerals of the Kings of France. They are from 3 to 7 voices. Marin Mersenne ‘s Harmonie universelle contains a setting by Du Caurroy of Pie Jesuwhich is a canon for six voices.

This page was last edited on 8 Septemberat In his motets, he is known as an eustaache composer of structurally involved music, though several of the motets for double choir are quite jubilant. Du Caurroy also wrote instrumental music, including contrapuntal fantasies for three to six instruments.

Du Caurroy’s surviving music consists of a Missa pro defunctis; a collection of fifty-three Latin caugroy for between three and nine voices, “Preces ecclesiasticae” ; a collection of sixty-five French pieces of various natures, “Les Meslanges” ; and a collection of forty-two instrumental fantasias published in open score